The Herd

The Herd was a literary newsletter dedicated to people, art, and community.

From 2018-2022, this newsletter featured artists and writers with bold, community-centered dreams and various creative projects. Enjoy the archive! If you feel moved to do so, you can still support and connect with the highlighted artists in each issue.

Explore the archives (below)

I look forward to The Herd because there is always something that makes me think and perceive along new lines.
— Ida K.
The Grasshopper King
Rejection, Memory Allie Rigby Rejection, Memory Allie Rigby

The Grasshopper King

Sometimes my own expectations of “good writing” prevent me from writing. Has this happened to you too? In the spirit of catching a bit of magic and sharing all ideas, here’s to a judgment-free December. Let’s write this month—whatever we feel, and let the creation be.

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Special Issue: Fall Harvest
Inspiration Allie Rigby Inspiration Allie Rigby

Special Issue: Fall Harvest

11 members of The Herd share their harvest of words and art in this special issue.

In order of appearance, we are lucky to share with you the works of Rob Jackson, The Doodler, Tara Shepersky, Brett Benson, Meyya Tabbaa, Mason Fernandez, Kevin Dick, Harriet Patterson, Julia Rigby, Zeina Baltagi, and Kelly Alsup.

Break this newsletter into bits and take your time with these inspiring folks.

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In an Elephant's Graveyard
Feminism, Inspiration Allie Rigby Feminism, Inspiration Allie Rigby

In an Elephant's Graveyard

When elephants die, they are often at the river. This is assuming that they outlived the slow stripping of disease and poaching, and in old age, they are now tired. They lie in the sand. They die. That is all.

Time and vultures, hyenas and black-backed jackals—they are the artists who whittle the decayed into the new. They are the ones who pluck green from grey. What I mean to say is this: elephants do not die by the river on purpose.

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