The Herd
The Herd was a literary newsletter dedicated to people, art, and community.
From 2018-2022, this newsletter featured artists and writers with bold, community-centered dreams and various creative projects. Enjoy the archive! If you feel moved to do so, you can still support and connect with the highlighted artists in each issue.
Explore the archives (below)
“I look forward to The Herd because there is always something that makes me think and perceive along new lines.”
Winter Reads
This December, we celebrate the collaborative poetry of Karla Brundage and Allison Francis with their latest book, “Mulatta—Not so Tragic?” Kelly Alsup also offers her first literature review with The Herd.
Poet Laureates & Transgressive Art
In this issue of The Herd, we have a special artist interview with Dorian Katz, the artist behind Poppers the Pony, and much more. There are also several Herder events and updates, shared in the “Happenings” section below, as well as a thank you note for all who were able to attend The Poetry of Place workshop on January 23rd.
On Resting and Change-making
This issue of The Herd, our amazing artist feature is Aster K. Foley, a queer printmaker and community-builder who also has a new zine in the works. And this year, may art, words, clay, beads, and combinations of all the above mold themselves into new paradigms of thinking and being. May you give yourself permission to rest on those days or evenings when you need it most.
In an Elephant's Graveyard
When elephants die, they are often at the river. This is assuming that they outlived the slow stripping of disease and poaching, and in old age, they are now tired. They lie in the sand. They die. That is all.
Time and vultures, hyenas and black-backed jackals—they are the artists who whittle the decayed into the new. They are the ones who pluck green from grey. What I mean to say is this: elephants do not die by the river on purpose.