The Herd

The Herd was a literary newsletter dedicated to people, art, and community.

From 2018-2022, this newsletter featured artists and writers with bold, community-centered dreams and various creative projects. Enjoy the archive! If you feel moved to do so, you can still support and connect with the highlighted artists in each issue.

Explore the archives (below)

I look forward to The Herd because there is always something that makes me think and perceive along new lines.
— Ida K.
On Resting and Change-making
Writing Community, Feminism Allie Rigby Writing Community, Feminism Allie Rigby

On Resting and Change-making

This issue of The Herd, our amazing artist feature is Aster K. Foley, a queer printmaker and community-builder who also has a new zine in the works. And this year, may art, words, clay, beads, and combinations of all the above mold themselves into new paradigms of thinking and being. May you give yourself permission to rest on those days or evenings when you need it most.

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Truth Serum and Smoke
Writing Community, Climate Change Allie Rigby Writing Community, Climate Change Allie Rigby

Truth Serum and Smoke

I’ve been reflecting on the idea of “truth” amidst the cacophony of mainstream media and daily distractions that can make truth hard to find—and hard to sit with when you find it. There are artists whose work helps bring truth to the surface, including this month’s feature Iris M. Crawford whose poetry influences and infuses her activism and journalism.

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Writing for Change

Writing for Change

Pride Month. Juneteenth. Black Lives Matter. Still mattering. Always mattering. It’s always a good time to amplify. This July Issue of The Herd, we express our gratitude to poets and artists who dream of a better world—and work hard for it. Our July feature highlights Dania Ayah Alkhouli, who is a writer, poet, and organizer who also read at Weekend of Words.

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Performative Allyship, Amplifying, & Black Lives Matter

Performative Allyship, Amplifying, & Black Lives Matter

Single narratives—like those enforced by our schools, by racist policies, and by police departments—are dangerous. Award-winning novelist Chimamanda Ngozi Adichie writes how “when we reject the single story, when we realize that there is never a single story about any place, we regain a kind of paradise.”

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